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christian • alexis

  • _unsolicited.

    April 21st, 2022

    For Rubén.  

     

    I never invited him,

    Mourning.

    Inconvenient as only he can be.

    An insistent, miserable bastard.

     

    Way back and in between the marbles and spinning tops,

    the carob and its seeds.

    Weapons of happiness-conjured war; our gallitos.

    Helado de coco or piraguas in hand, 

    fighting their own war with the relentless summer heat.

    Throwing myself down those lush green steep hills,

    dangling from branches older than my earliest memory.

    Older than any of us.

     

    I excel at getting into that good trouble,

    spinning an apology after the deed, rather than asking for permission.  

     

    And then I feel it.

    His cold hand on my shoulder once more,

    breathing new life to memories long gone.

    Time.

    She’s here as well.

    And they’re not alone.

    Together, they plant themselves deep and permanent,

    like roots.  

     

    They’re closer now,

    to me and mine.

     

    A peek at first,

    now a quiet, violent stare,

    so solemn yet aggrieved.

    They behave like old teachers tired of delivering the same lesson

    and I am the student that refuses to learn.

     

    They twist my arm

    and with a jerk

    with a push

    and under duress

    I’m forced to remember.  

     

    In festive arrogance he arrives.

    Change.

     

    Uninterested in my concern

    or my fear

    or your fear.  

     

    With a blink the distance grows; so quickly taken.

    And taken so far.  

     

    The voices

    -so many voices-

    and their faces.  

     

    Memory fails me once more,

    but my heart remembers

    and whispers a jolt straight to my soul.

     

    Their names,

    their smiles,

    the enveloping sense that they stood in this place.

    Right here.

    Right there.

     

    I swear they were just there.  

     

    My heart.

     It relents.

    I remember.

     

    The meals shared under a tree,

    running faster than we should have

    and falling harder

    and hurting more than I led on.

     

    The white lies and dark secrets.

     

    Everything was sweeter

    and as bitter as it was sweet.

     

    It was more real,

    the genuine article.  

     

    And that greatest of teachers,

    Time.

    Carries on with this,

    her long lesson,

    beating me into submission.

     

    At once, I remember

    her loving, wrinkled hands.

    Abuela.

     

    Her sweet, worn and weathered voice

    made gentle through her own lessons learned.

    She was a student of Pain and grace.

     

    Singing her heart out to the caldero,

    wielding la candela,

    she kept us fed,

    kept us safe.

     

    A friend’s smile slips in

    and I can see now.

    They say that when it rains, it pours.

    But this is a flood,

    a storm,

    a disaster.

     

    This is a goddamn tragedy.  

     

    And now I sit here

    in the presence of Mourning.

    This used to be a rare occurrence

    but now he ventures in with routine delight.

    Shit, he probably has a key to the place.

     

    See, It’s not the quantity

    but the quality of the Pain.

    In these parts we mourn like it’s a sport,

    we suffer like it’s going out of style.  

     

    It rains,

    it pours,

    it floods,

    we drown.

     

    The storm,

    it doesn’t pass and this doesn’t end.

    And it becomes a part of me.

    Old hat, you see.

     

    The cruel way Mourning lingers

    and does as he pleases.  

    A thief even!

    So hungry,

    so starved

    that he’s capable of consuming it too,

    that last part of you I hold close to me,

    my memory of you.

     

    And how am I supposed to survive,

    never you mind live,

    riding out this never ending storm.  

     

    And then he looks down at me,

    he reminds me

    -teacher as he is-

    that we all lose,

    that I don’t have an exclusive right to Pain,

    that time passes the same for all of us,

    the great equalizer.

     

    That Remorse,

    Regret

    or even Mourning,

    they do not get to escape Pain.  

     

    Time arrives disguised,

    and I observe Mourning follow suit.

    Memory makes itself known

    and all of the details come roaring back, technicolor.

    And without so much as a hello, 

    certainly uninvited,

    they arrive to do what they do best.  

     

    And my hands begin to shake.

    And I give in, I welcome them

    with a kind of practiced apathy

    that hides the wholesale terror that lies within.

    And I accept their parcel.

    They sit beside me as I try but fail to find my footing.

     

    With that non-gesture of theirs,

    they inform me that I’ve lost another one.

    Another vacancy.

    The sum of all love in this recalcitrant world drops sharply.

    And they keep me company,

    Pain takes my hand as he has done so many times before.

    I find that horrible familiar solace in his.

    This time, they vow stay with me, forever.

    Unsolicited.  

     

    Christian Alexis  

  • Sin quererlo

    March 24th, 2022

     

    Para Rubén.

     

    Yo no lo quiero,

    el luto

    que se me presenta inconveniente,

    insistente el muy infeliz.

     

    Allá atrás, entre canicas y trompos,

    la algarroba y los gallitos,

    el helado de coco y las piraguas de frambuesa,

    andaba tirándome por riscos,

    colgando de ramas de arboles mas viejos que el frío.

    Metiéndome en líos,

    prefiriendo el perdón al tener que pedir permiso.

     

    Siento sus manos sobre mis hombros,

    Y su aliento mueve mi memoria.

    El tiempo y el maldito luto,

    se hacen árbol,

    sembrándose permanentes.

     

    Se arriman poco a poco a mi y los míos.

    Asomándose, me miden y me calzan.

    Resultan molestos y violentos,

    como viejos maestros cansados de tener que corregirme.


    Y me obligan a recordar.

    El cambio llega arrogante,

    sin importarle mi opinión.

    La distancia ya es vasta;

    Las voces

    -tantas voces-

     y sus rostros.

    La memoria me falla nuevamente,

    pero mi corazón me susurra que los recuerda

    a todos.

     

    Las comidas, las corridas,

    las mentiras y las peleas.

    Todo era más dulce y agrio,

    más real y genuino.

    Y ese gran maestro

    el tiempo,

    continúa su lección.

    Me enseña a cantazos.

     

    La mano arrugada de mi vieja.

    La dulce voz de abuela

    cantándole entregada al caldero y la candela.

    La sonrisa de un amigo.

    Dicen que el aguacero renueva el suelo y da vida.

    Pero esto es una tormenta;

    esto es un huracán,

    esto es una tragedia.

     

    Y ahora estoy sentado con luto.

    Entra porque tiene la llave,

    porque me acompaña a menudo.

    No es lo mucho, pero lo seguido.

    Es que no para de llover,

    no se acaba el temporal.


    Y ya así, el dolor se vuelve costumbre.

    Es cruel la manera que me hace lo que le da la gana.

    Y hasta ratero le llamo,

    cuando se roba la onza de memoria que me queda.

     Cómo vivir en medio de tanta ráfaga, azote y mal rato.

     

    Y me recuerda,

    que todos perdemos,

    que el dolor no es exclusivamente mío,

    que el tiempo pasa igual para todos,

    que no lo evita el lamento.

     

    Y ese tiempo se asoma camuflado.

    Y el luto le sigue pie forzado.

    Y aquella memoria se encarga del detalle.

    Y sin invitación ni saludo,

    regresan a llevarse lo poco que me queda.

     

    Y me tiemblan las manos.

    Y con disimulado terror les recibo.

    Y acepto su recado.

    Están todos conmigo,

    y sé que pierdo a otro de nuevo.

    Se sientan a mi lado,

    Y el dolor me da la mano.

    Y me acompañan en el mío,

    sin tan siquiera yo quererlo.

     

    Christian Alexis

     

  • music

    June 12th, 2019

    christian • alexis

    Although creatively I’m focused on my writing, I have composed, produced and performed music for almost 20 years.

    While primarily composing, producing, recording and mixing metal, I’ve worked in a number of genres including folkloric, gospel, pop and electronic music. I also produce professional voice-over work and have composed/scored for short films.

    My currently active project is called Caldonia. It can be found on all major streaming platforms, but you can check it out on Spotify. Every other past release (that is available currently), is available via my label’s website. (Currently redirects to Bandcamp)

    A few samples of my work available via BandCamp at https://southground.bandcamp.com

    Please check back in soon for more uploads and free music stuffs.

  • Snapshots in time.

    November 7th, 2018

    Isn’t it odd how one picture, a song, an Ad on TV or even a taste, can transport you to a specific moment in time? I imagine we all experience this from time to time. I saw the cover of a magazine in an article the other day, and it immediately transported me to 1999. It was instant and such a vibrant and robust memory. For the life of me, I can’t remember what I connected with but it all came rushing back.

    The cover in question was a music magazine cover featuring a nu-metal act, Limp Bizkit’s frontman, Fred Durst. I always disliked this dude’s approach to music because it was just the rap/mush of nu-metal but Limp Bizkit did have a killer guitarist in Wes Borland and their sophomore effort was memorable. It had that track called “nookie”. Not the epitome of musical composition, but it was catchy in the nu-metal equivalent of the macarena.

    I guess I made all of these connections almost instantly and suddenly I started remembering all of the bands that were getting heavy coverage back then, and then the movies, and then the car I had, the circle of friends back then and it just painted a perfect picture. I guess the most meaningful part of this is that I cannot relate with the person and reality I saw in this real memory of myself. Not one bit. Those friends? Many followed a different path, or perhaps it was me that started moving in a different direction. That music? It was all around me but I never played it, and never cared to emulate it. Where I lived, what I did for a living, what was seemingly my life path, all of it is entirely foreign to me now.

    It’s bizarre. I want to kind of channel this moment again just to examine it, like an oddity. But I feel no attachment and no real need to “connect”. I am just an entirely different person with a kind of removed curiosity. But I think (think) it’s not a form of reminiscing, rather an almost academic kind of interest in how that person in that snapshot, turned into the one writing this. Ultimately the answer is always, time.

     

  • What Dystopian Novels Can Teach Us About Life (in America today)

    October 22nd, 2018

    Times are tough.

    To say that we are living in a complex time, socially and beyond, is a significant understatement. There is much to be concerned about in our current reality. From the open question of the permanence of hard-fought social reforms to our global position and a seemingly backward and arrogant position on global warming and pollution, it really does look like hard times ahead for not only our generation, but the many that follow.

    Much like us, they will earn less than the ones that preceded them, have to deal with crushing student debt, sky-rocketing healthcare costs and an ever-rising cost of living with diminishing returns across the board. It just seems like a perfect storm.

    In fiction, such problems are tackled head-on and this can provide a degree of solace. Dystopian stories can often be a reflection of our own reality (if dramatized and starkly more depressing). Literature has always been a mirror to the human condition, but in the dystopian novel – I find-, there is a mirror to circumstance as well.

    Michelle Wright, a Professor of African American Studies and Comparative Literary Studies at Northwestern, speaks of how dystopian fiction can provide this perspective.

    These stories can also be uplifting, include strong female leaders, highlight how our differences become resources and tools to overcome. Ultimately, the adversity in fiction may be significant, but not pointless; if not a tale of overcoming such adversity, it can at least serve as a warning. Such is the case with Orwell. Fiction can show us who we are, who we could become and what is needed of us to confront our own worst enemy: indifference in the face of a building threat. Currently, one is building and will all be more difficult before it gets easier, and the sort of resolve found in these books may be just what the doctor ordered.

    Looking to literature to make sense of our world is essential, but we must draw from a wide array of works that speak to the layers and subtleties of our nuanced world. Indeed, now more than ever, such understanding and awareness of the complex and varied human experiences in our social structures will guide us to the greater political awareness we so desperately need.

    Check out the article at http://www.rolereboot.org/culture-and-politics/details/2017-02-dystopian-novels-can-teach-us-life-trumps-america/

     

     

  • My earliest memory of death

    October 6th, 2018

    Today I remembered something curious.

    Sometime back, I had to write (for an assignment in a workshop) about my earliest memory dealing with death. I’ve unfortunately been aware of the inevitability and permanence of death from a very young age. But as far as remembering and really understanding its impact for the very first time, it would have always been my experience of losing my grandfather when I was very young. This is what I was able to remember and wrote for the workshop. – Chris

    –

    At first, I remember thinking this room looked like a theater. Textured walls lined with carpet-like material. A velvet finish to everything. So many people… yet silence was absolute and took center stage. I remember, for the first time, noticing the expression of deep sadness in Jesus’ face as he hung on the wall, just over him. A red tinge covers the sum of my memories of that event, as if a filter was placed in front of my eyes and everything’s color is more a dark, reddish rust tone. But as I thought more about it, I realized it must have been those lamps. The two scarlet-tinted lamps, dimly-lit by two flame-shaped bulbs. They stood, flanking his coffin. The whole thing seemed kind of Roman to my young mind. And I’m still shocked I made that connection at such a young age.

    The air was dense and almost sickly, heavy with the failed and desperate attempt at the aroma of flowers. There was, however, also a faint boxed-in, kind of humid smell, like an old closet. This room had not experienced fresh air or sunlight in many years. I was surprised to find that off to the side of the room was a large wall covered in flowers. Real flowers. Apparently they didn’t stand a chance against the canned flower smell variety. So many different colors, shapes and sizes. Sympathy flowers they call them. These mean to convey love, appreciation and shared condolences. At least back in those days, those meant something. They said something about your standing in your community, your profession, your life.

    My grandfather was a character. Coming up in 1940’s New York at some of the greatest hotels and restaurants, eventually becoming a sous-chef and salad master at the New York Plaza Hotel. He had a certain old-school mobster vibe to him. His male-pattern baldness actually worked well with his razor-thin mustache. He rocked pin-striped suits with this impeccable finish to his attire in every single picture. That’s another thing I recall, every photograph of him was with my grandmother and always surrounded with friends. The scenes were always spectacular: The Copacabana, Long Island with his cousins, Coney Island with all of the kids or dinner out on the town.

    I remember approaching the coffin with a sense of fear. I began to catch a glimpse of an old man I didn’t really recognize. The poor soul in that box looked nothing like the superhero in those pictures. But neither did the poor old man in the wheelchair or paying in bed for the better part of 20 years. My grandmother’s life also changed forever. She became a quasi-nurse to care for him. You see, his adventurous streak ended with his fire-engine red convertible MG, wrapped around a pole. The “Jaws of Life” had to be used to free his mangled body from within the cocoon-like crushed metal the car was rendered.

    His expression was always of kindness and frustration in that bed. I’m sure he loved me, he tried to say it, with not a great deal of success. All I could do to ease the old man’s strained-face was to try and say it before him. And tack-on, “I know grandpa”, to ease his frustration of not being able to form his words. I, however, never doubted his mind being all there. When I became older, I came to understand how sad the latter part of his life had truly been. Now his expressionless and heavily made-up face lay in front of me, in that box. I was just a kid, but I understood he was no longer there. The Jesus on the cross hanging above him wore a similar pained expression. I couldn’t really say I was happy, but even then at that age, I was relieved the old man was no longer serving time in that bed.

  • _heirloom

    October 6th, 2018

    _heirloom

    by christian alexis

     

    There was nothing

    Because that’s all you leave behind.

    Severed strings and severed ties

    In all of that silence

    And all of those lies

    I stare down this old guitar

    Meant to make sounds in your absence.

    I gave it the old college try

    Replacing the rusted, worn-down strings

    Thinking a new array of polished metal could revive it

    But as I went through the motions It felt as empty as ever with no chance to hide it.

    This is, however,

    Not new thing with you

    This old hunk of wood

    This poor attempt at appeasement

    Feels not unlike your absence

    A hollow token with no reason.

    The old mahogany sings

    The age and struggle in the grain

    The sickly-sweet smell of it,

    It invites you to play again

    But you see this tool

    It demands wisdom and it requires pain

    You see, in making music, we find honesty

    And that was never your way.

    Memories cannot fade when they never existed in the first place

    My blessing was your absence

    I was spared of that, spared of their fate

    Their “always wondering”

    Their frustration

    Their denial

    Their everlasting resignation.

    She taught us well

    She got us fed

    She got us to read

    She made us see

    What would have been impossible had you been in the way.

    And so you left

    Using the back door

    Not that you’re a coward

    Cowardice towers above whatever level you managed to subsist.

    But this is not a coward’s instrument

    You did not endow it

    It was abandoned to the abandoned.

    You see, it requires more.

    It requires strength.

    It requires character.

    It requires love.

    But how could you understand?

    Its aged, lived-in and lived-on surface

    The wound copper scratching and punishing my fingertips

    Another forgotten thing, you didn’t think was worth it.

    But here we are

    Strangers to each other

    Yet we find a way to strike a chord

    A way to make the best of an awkward situation

    And there’s little frustration

    Out of sight out of mind

    Because of you, there’s nothing And that’s all you left behind.

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