The size and scope of physical gear I’ve used over the years has shrunk significantly. When I brought the studio home, I needed to downsize and took the opportunity to simplify my workflow. To that end, this list is not extensive, but it also does not capture every single piece of gear I own. I’ve included guitars as I make them available if tracking guitars with me.
Overview of Recording Configurations
I currently have multiple systems running in parallel, with my current main interface and preamps being my Focusrites.
Main Interface Configuration:
- 18 Channels (16 Active) Focusrite 18i20 and Octopre:
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Focusrite Scarlett 18i20 3rd Gen USB Audio Interface: USB 2.0 Audio Interface, 18-in/20-out, 24-bit/192kHz, with 8 Mic/Line Inputs; 2 Instrument Inputs, 2 x ADAT I/O, MIDI and S/PDIF I/O, Dual Headphone Buses, Talkback, and Bundled Software – Mac/Win
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Focusrite Scarlett OctoPre 2nd Gen Preamp: 8-channel Microphone Preamp Mic/Line Preamplifier, 24-bit/192kHz, with 8 line outputs and ADAT Outputs – Mac/PC
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Secondary Interface Configuration:
- 10 Channels (10 Active) UAD Apollo and Focusrite Octopre:
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Universal Audio Apollo Twin USB DUO Heritage Edition with UAD DSP: 10-in/6-out USB 3 Audio Interface with 2 Unison Preamps, Premium Plug-in Suite, and Realtime Analog Classics Plug-in Package – PC AAX 64, VST, RTAS
- Focusrite Scarlett OctoPre 2nd Gen Preamp: 8-channel Microphone Preamp Mic/Line Preamplifier, 24-bit/192kHz, with 8 line outputs and ADAT Outputs – Mac/PC
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Legacy Interface Configuration: (Pro Tools < 12)
- 16 Channels (16 Active) Avid Digi003 and Presonus Digimax D8
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Avid Digidesign 003 Rack Factory w/PT9 Crossgrade: FireWire Audio Interface with 18 simultaneous channels of audio I/O 24-bit/96kHz resolution.
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PreSonus DigiMAX D8 8-channel Microphone Preamp with Lightpipe 8 XMAX Class A microphone preamps w/trim control 24-bit resolution ADAT digital output.
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Interfaces and Converters
- Focusrite 18i20 Third Generation Scarlett with AIR pre-processing (8-18 Channels)
- Focusrite Octopre Third Generation Scarlett Preamp (8 Channels)
- Universal Audio UAD Apollo – Heritage (2-10 Channels)
- Avid Digidesign Digi003 Rack (8-16 Channels)
- MOTU 2408 MKI (8-24 Channels)
- MOTU Traveler MKI (4 – 20 Channels)
- Presonus Digimax D8 (8 Channels)
- Mic Gain: Cloud Microphones Cloudlifter CL-1 1-channel Mic Activator Discrete JFET Circuit
- Mic Gain: sE Electronics DM2 TNT 1-channel Active Inline Preamp
Playback and Monitoring
- Genelec 8020D Bi-Amplified Active Reference Monitors on DR Pro Maple Wood Studio Monitor Stands.
- Kali Audio LP-6 Active Reference Monitors (1st Gen) on DR Pro Maple Wood Studio Monitor Stands.
- Alesis Studio One Near-field Passive Reference Monitors on DR Pro Maple Wood Studio Monitor Stands.
- Powered by an Alesis RA-100 Transparent Power Amp.
- M-Audio BX3 Graphite Powered Studio Monitors (small near-field)
- Beyerdynamic DT 770 PRO Closed-Back Headphones (32 OHMS)
- AKG M80 MkII Semi-Open Studio Headphones
- TASCAM TH-200X Studio Headphones (2)
- AKG Urban-X (in-ear) Headphones (2)
DI and Re-Amping
- Radial X-Amp 1 In 2 Out Active Re-amping Device with Class-A Signal Path, Variable Output, and Ground Loop Elimination
- Warm Audio WA-DI-A Active Direct Box with Variable Pad, Amplifier Out, and Cinemag Transformer
Microphones
- Lewitt LCT 440 PURE Large-Diaphragm Cardioid Condenser Microphone
- Shure SM57 Cardioid Dynamic Microphone (2-pairs)
- Shure SM7B Cardioid Dynamic Microphone
- PreSonus PD-70 Cardioid Dynamic Broadcast Microphone
- sE Electronics X1 A Large-Diaphragm Condenser Microphone (2)
- sE Electronics V7X Cardioid Dynamic Microphone (Guitars)
- sE Electronics SE2200 Large Diaphragm Cardioid Condenser
- sE Electronics Voodoo VR1 Passive Ribbon Microphone
- MXL 990 Large-Diaphragm Cardioid Condenser Microphone (2 Pairs)
- MXL 603 PAIR Small-Diaphragm Cardioid Microphones (Stereo Pair)
- Samson C02 Pencil Condenser Microphones (Stereo Pair)
- Samson Q71 Dynamic Kick Microphone
- Samson Q72 Dynamic Snare and Tom Microphones (4)
- Marantz Professional Audio Scope SG-5B Battery/phantom-powered short shotgun microphone (XLR Shotgun)
Guitar Amplifiers
- EVH 5150 III 6L6 50 Watt Guitar Amplifier Head loaded with a JJ High Gain Tube Set.
- Mesa Boogie Triple Rectifier 150 Watt Guitar Amplifier Head loaded with a JJ High Gain Tube and Rectifier Set.
- Boss Katana Air – 20/30-watt Wireless Guitar Amp
- Roland Microcube 1×4″ Driver Practice Guitar Amplifier Combo.
- Deprecated: Peavey 5150 60 Watt Combo Tube Guitar Amplifier with 2×12″ Sheffield Speakers.
Guitar Cabinets
- EVH 5150 III 60 Watt 2×12″ 16 OHMS Guitar Cabinet loaded with Celestion G12H Speakers and Birch Plywood Construction.
- Orange PPC412A 240 Watt 4×12″ 16 OHMS Angled Guitar Cabinet loaded with Celestion Vintage 30 Speakers and Birch Plywood Construction.
- Hughes & Kettner TubeMeister 112 60-watt 1×12″ 16 OHMS Guitar Cabinet
- Randall ISOCAB 60 Watt Isolated 1×12″ 8 OHMS Guitar Cabinet, especial enclosure loaded with a Celestion Vintage 30 Speaker
- Roland Microcube 1×4″ Driver Practice Guitar Amplifier Combo.
- Deprecated: Marshall 1960A 300 Watt 4×12″ Selectable 4/8/16 OHMS Angled Guitar Cabinet loaded with Celestion G12T-75 Speakers and Birch Plywood Construction.
- TwoNotes Torpedo Captor (16 OHMS) with Speaker Emulation (Load Box and Speaker Emulator)